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By admin, on March 31st, 2025

Nikon Z5 II specification surfaced on a website, that is not much different from the specification we posted a while ago, take a look at the rumored specification
Rumored Specifications:
- 24.5MP backside-illuminated CMOS sensor
- Equipped with Expeed 7 image processor
- 14 fps RAW, 30 fps JPEG shooting
- 5-axis in-body image stabilization
- Pixel shift
- 4K video recording at 30fps [Uncropped]
- DX crop 4K at 60 fps in 10-bit
- 1080p video recording at 120fps
- The 273-point hybrid autofocus system
- Real-time eye/animal eye tracking/Bird eye AF
- 3.69-million-dot OLED electronic viewfinder
- 3.2-inch fully articulating screen
- Dual UHS-II SD card slots
- USB-C charging, compliant with the latest EU regulations
- Size and weight are almost identical to the current
So, in the core specification, we cannot spot any significant difference from what we have already shared with you. [Nikon Z5 II Coming in Summer of 2025]
Nikon Z50 II Arrival Date
Nikon Z5 II arrival date – as we have mentioned earlier the Nikon Z50 II demand is at its peak and Nikon will surely allow the Z50II to reach its peak period, which generally lasts 7 to 8 months after the camera’s announcement. In general, camera manufacturers avoid announcing two different cameras in the approx same price range due to the fear that each will cannibalize the other’s sales.
Since the Nikon Z50 II was announced back in November 2024, it seems quite logical for Nikon to announce the Z5 II camera sometime in the summer months of 2025. So, the Announcement is expected on or before August 2025.
Must watch – Best Lenses for Nikon Z50 II in 2025
List of Upcoming Nikon Cameras and Lenses
– COOLPIX P1100 [already announced]
– Z 35mm f/1.2 S (Already Announced)
– Z 28-135mm F4 PZ (announced )
– New Z series of cinema lenses (announced )
– Z9II (Q4 of 2025)
– Z5II (April 2 2025)
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source – camerabeta webio | NR.com
By admin, on March 30th, 2025

Nikon registered a new trademark, Nikon Z Cinema, on February 13, 2025. It will be very interesting to see whether Nikon is expanding its Z Cinema lineup to RED camera bodies only or if they will also bring dedicated cinema bodies to mirrorless consumers. just like Canon did with Canon R50V.
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By admin, on March 28th, 2025

According to the latest information, the shipping of the Canon R50V camera will start from April 28, 2025. That means even the global shipping of the camera will start from April 28, 2025. So, specifically in Asian countries, the camera will become available from the first week of May 2025.
Canon R50V Camera available at B&H Store
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By admin, on March 28th, 2025

According to your latest set of rumors, the Nikon Z5 Mark II camera will be available on the second of April, so the wait is over, and it is about to arrive very soon. As a user, it has now been confirmed that the camera features the future Nikon ZF Camera sensor, Expeed 7 image processor, and the goodness of the Z6 Mark III.
It will create a benchmark in terms of the full-frame camera level. Stay tuned more updates coming
Nikon Z5 Mark II Specifications
Feature |
Specification |
Sensor |
24.5MP Full-Frame BSI CMOS Sensor |
Processor |
Expeed 7 Image Processor |
Video Recording |
4K UHD 30p / Full HD 120p, 1.5x 60p with crop |
Autofocus |
273-Point Hybrid AF with Eye and Animal Detection |
Image Stabilization |
5-Axis In-Body Image Stabilization |
Viewfinder |
Bright 3.69M-Dot OLED Electronic Viewfinder |
Display |
3.2″ Tilting Touchscreen LCD |
Memory Card Slots |
Dual UHS-II SD Card Slots |
Connectivity |
Built-In Wi-Fi and Bluetooth Connectivity |
Charging |
USB-C Charging and Power Delivery Support |
Support us – Use or affiliate link Amazon.com | B&H Store | Adorama.com for the next purchase u make – it helps us 
Follow us on our social pages FACEBOOK | TWITTER | INSTAGRAM to get live Camera News + Nikon Rumors 24X7
source – NR.com
This post was updated on March 28, 2025 – By thenewcamera.com team
By admin, on March 27th, 2025

Canon R50V vs Sony Z10 Mark II. Let’s discuss the major differences between the two, then we will do some deep core specification analysis so you can understand very clearly which camera you should buy.
Canon R50 V Specifications and Pricing
Initially, the Canon R50 V camera is available with a 24-megapixel DPAF CMOS sensor, the same sensor that is being used by entry-level cameras such as Canon R50 and Canon R10. If you buy it with a kit lens, you have to pay approximately $849, and when you are buying the body only, you have to pay approximately $649.
Sony Z10 Mark II Specifications and Pricing
Now, the Sony Z10 Mark II camera was released on July 10, 2024, and uses a 26-megapixel APS-C BSI CMOS sensor from FX30 or Sony A6700 camera, meaning it’s a flagship sensor. With a kit lens, you have to pay $1,099, and without a kit lens, you have to pay only $999.
So, the Canon body is a lot more affordable compared to the Sony Z10 Mark II camera. Now, let’s dive deep into the detailed core specifications of both cameras.

Key Differences in Sensor Technologies
So, initially, we have some basic differences between the two. The Canon uses an FSI CMOS sensor with a resolution from entry-level models, and the Sony Z10 Mark II uses a BSI CMOS sensor from higher-end models. Along with that, we also have a price difference between the two.
Best Camera for Recording 4K 60p Video

Crop Factor Comparison
If you compare both the Canon R50 V and Sony ZV-E10 Mark II, the advantage of the Sony ZV-E10 Mark II camera is clearly visible as it does only a 1.1x crop while recording 4K 60p video. On the other side, we have the Canon R50 V camera, which does a 1.5x crop while recording 4K 60p video. Both cameras allow you to record 10-bit videos at 4K 60p, but at the same time, you have to face a crop in Canon.
Usability and Stabilization
Usability-wise, the Sony ZV-E10 Mark II camera is more usable since, even while recording 4K 60fps with a crop, we can utilize the Active SteadyShot mode as well as the gyro-based image stabilization mode. If you are shooting handheld videos, that will, in turn, help you get stable footage without a gimbal. The electronic image stabilization (EIS) is very effective when you are using it at 30fps or 24fps recording. However, since it already has a very significant 1.5x crop, it doesn’t work that well.
Final Recommendation Best Camera for high-speed 4k videos
So, overall, for 4K 60fps recording, we highly recommend you to get the Sony ZV-E10 Mark II camera. Codec and Color Depth in Both Cameras
Video Codecs
Canon R50 V Video Capabilities
Now, with a 24-megapixel FSI CMOS sensor, our recently announced Canon R50 V camera is able to record 10-bit 4:2:2 videos in H.265 or H.264 codec. You can also record your videos in Canon Log 3 as well as in HLG HDR modes—all these features are available in this entry-level model.
Sony Z10 Mark II Video Capabilities
With a 26-megapixel BSI CMOS sensor, Sony does the same. It also records 10-bit 4:2:2 videos in XAVC HS (H.265) and XAVC S (H.264). Additionally, it supports S-Log2, S-Log3, and Hybrid Log Gamma (HLG), offering up to 14 stops of dynamic range.
Video codec – Comparison and Conclusion
So, in terms of video codec, both cameras record the same 10-bit videos, and neither of them has any limitations over log profiles or any other video codec restrictions. In terms of usability for beginners, videographers, and content creators, both cameras perform well. We are not discussing professional use at this moment.
Detailed Video Specifications Comparison Table
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
Max Video Resolution |
4K 60p (cropped, crop factor unspecified), 4K 23.98p (assumed uncropped based on preview) |
4K 60p (1.1x crop), 4K 30p/24p (uncropped, oversampled from 5.6K) |
Full HD Capabilities |
1080p up to 120p (implied from slow-motion options) |
1080p up to 120p |
Video Codecs |
H.265, H.264 (10-bit 4:2:2 internal with log) |
XAVC HS (H.265), XAVC S (H.264) (10-bit 4:2:2 internal) |
Color Profiles |
C-Log, custom picture profiles from Canon cinema series |
S-Log2, S-Log3, HLG, Creative Looks (e.g., cinematic presets) |
Bit Depth |
10-bit internal recording |
10-bit internal recording |
Dynamic Range |
Not specified (likely ~12-14 stops with C-Log, based on Canon APS-C trends) |
Up to 14 stops with S-Log3 |
Streaming |
4K 60p via USB-C (dedicated quick streaming button) |
4K 30p via USB-C (UVC/UAC support, improved from original’s 720p) |
Slow Motion |
Supported with option to bake in or exclude audio (specific frame rates not detailed) |
1080p 120p, 4K 60p slo-mo with 2x playback (no audio baking options specified) |
Recording Limit |
Not specified (likely no limit based on Canon trends) |
No recording time limit (improved thermal management over original) |
Overheating |
Not specified (DIGIC X typically manages heat well, no issues noted in preview) |
Improved over ZV-E10 but can overheat after ~20-30 mins in 4K 60p at high ambient temps |
Autofocus in Video |
Dual Pixel AF II (fast, reliable tracking, eye/face detection) |
Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode (495 phase-detect points) |
Stabilization |
No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) |
No IBIS, Active SteadyShot (digital, ~1.1x crop), lens OSS support |
Cinematic Features |
“Peter McKinnon mode” (baked-in cinematic bars), power zoom lens support |
Background Defocus button, vertical shooting metadata, Cinematic Vlog mode |
Crop Factor in 4K |
Cropped in 4K 60p (extent unspecified), uncropped in 4K 23.98p (assumed) |
1.1x crop in 4K 60p, uncropped in 4K 30p/24p |

Best Camera for Live Streaming
Canon R50 V Live Streaming Capabilities
The recently announced Canon R50 V supports streaming up to 4K 60fps via USB-C, but at the same time, you have to consider the fact that it still has a 1.5x crop. This means you need to use ultra-wide-angle lenses when placing the camera in front of you.
Sony ZV-E10 Mark II Live Streaming Capabilities
On the other hand, in the Sony ZV-E10 Mark II, video streaming or USB streaming remains limited to 4K 30fps via UVC/USC.
Best Camera for Live Streaming
So, you can consider the Canon R50 V as a clear winner in terms of streaming capability, but it also suffers from a crop limitation, which you need to keep in mind while choosing between these two cameras.

Canon R50V Autofocus Capabilities
Canon R50V camera uses a Dual Pixel CMOS autofocus sensor paired with DIGIC X image processor, and according to Canon’s official press release, they are using the same autofocus AF algorithm as they have used in the Canon R5 Mark II camera. The camera also includes subject tracking modes, which include birds, animals, airplanes, moving vehicles, as well as one of the most important modes that has been added to this camera—face registration. Here, you can technically register one, two, or multiple faces, and even in a crowd when you are creating a video sequence, like when you’re doing wedding cinematography. Then, even in a crowd, if you have already registered the bride and groom’s faces in the camera, it will track only those two.

Sony ZV-E10 Mark II Autofocus Capabilities
Now, in the Sony ZV-E10 Mark II camera, we have an advanced video autofocus tracking mode, which is directly coming from the Sony A7R V. It does have predictive AI tracking, just as we have seen in higher-end Sony models, so it is also very good at predicting human faces, human bodies, animals, birds, and eyes. Moreover, the camera also has a built-in AI auto-framing mode, which, in turn, the Canon R50 V doesn’t have. This particular AI auto-framing mode helps content creators, especially solo content creators—those who create cooking videos in a single room. The camera will automatically track them and crop them in a frame, like the way a professional cinematographer shoots their movement.
Best Camera with Usable AF in Video
So, each of these cameras does have brilliant autofocus tracking capability and some specialized modes. The Canon R50 V is more suitable for wedding cinematography, where you can register people’s faces for autofocus tracking, whereas in the Sony ZV-E10 Mark II camera, we have AI auto-framing mode, which is more useful for content creators.

Canon R50 V Image Stabilization
Canon R50 V camera is a base model, and we are not able to expect too much out of it. Since the absence of sensor-shift image stabilization looks a bit logical to me, any camera maker out there is not offering any sort of IBIS mechanism in that price range. Although the camera does have EIS (Electronic Image Stabilization), which is effective for video, you have to use ultra-wide-angle lenses when you are using EIS in the camera for creating content or shooting any sort of videos. But keep in mind that EIS is only effective in shooting videos, not in still photography.
Sony ZV-E10 Mark II Image Stabilization
Sony ZV-E10 Mark II camera comes at a higher price, and at least we were expecting the presence of some sort of IBIS feature inside it. But for video recording purposes, we do get Active I.S. inside this camera, supported with a gyro-based image stabilization system. So, specifically, when you are using gyro, you get very stable footage with minimal crop, but you have to post-process it on your laptop or PC using Sony Catalyst Browse software. Other than that, we have Active I.S. mode, where Sony does crop significantly, but we do get gimbal-like stable footage from the camera.
Best camera for Handheld Video
So overall, none of the cameras feature sensor-shift image stabilization systems, but in the Sony ZV-E10 Mark II camera, we do have gyro-based image stabilization as well as Active Mode, which is very effective. Price-wise, what we are getting in Canon R50 V also looks very logical to me, specifically if you are into content creation. So, it’s very obvious that if you are paying a bit higher price for a camera body like the Sony ZV-E10 Mark II, you will get better image stabilization performance, which is specifically made for videographers and cinematographers.
Audio Specifications
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Onboard Microphone |
Standard stereo mic (not emphasized as vlogging-specific) |
Directional 3-capsule mic with windscreen (optimized for vlogging, improved over original) |
Digital Audio Support |
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) |
Multi-interface shoe (digital audio with compatible Sony mics, e.g., ECM-W2BT) |
Body Design & Battery Life
Body design-wise, both cameras are the same, and even the weight is almost equal, at under 400 grams. However, in the Sony ZV-E10 Mark II camera, we get a deeper hand grip as well as a battery life similar to that of a full-frame camera. The NP-FZ100 battery is capable of giving you approximately 610 shots and more than 2 hours of continuous 4K 30p video recording.
Body Design
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
Dimensions |
116 x 86 x 69 mm |
121 x 68 x 54 mm |
Weight |
Not specified (likely ~375g with battery, based on R50) |
377g (with battery and SD card) |
Viewfinder |
None (EVF omitted to reduce cost) |
None |
Screen |
3-inch vari-angle LCD (lower resolution than R50, exact dots unspecified) |
3-inch fully articulated LCD (1.04M dots, touch-capacitive) |
Tally Light |
Yes (front-facing, with red box on screen) |
Yes (front-facing, improved visibility over original) |
Vertical Video Support |
Quarter-20 mount on side for vertical tripod/gimbal use |
Vertical shooting metadata (no physical mount, relies on software orientation) |
Weather Sealing |
None |
None |
Ergonomics |
Not detailed (likely similar to R50 with deep grip) |
Larger grip than original ZV-E10, two control dials (top and rear) |
Buttons/Dials |
Quick streaming button, standard Canon layout |
Background Defocus, Photo/Video/S&Q toggle, customizable Fn button |
Ports and Connectivity
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
USB |
USB-C (supports streaming and charging) |
USB-C 3.2 Gen 1 (supports streaming and charging) |
HDMI |
Not specified (likely micro HDMI based on R50) |
Micro HDMI (Type D) |
Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Remote Port |
Yes (2.5mm) |
No (remote via Bluetooth or USB) |
Hot Shoe |
Digital hot shoe (24-bit, 4-channel audio support) |
Multi-interface shoe (digital audio support) |
Wireless |
Wi-Fi (version not specified), Bluetooth (assumed based on R50) |
Wi-Fi (2.4 GHz), Bluetooth 5.0 |
Battery and Storage
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
Battery Type |
LP-E17 (same as R50) |
NP-FZ100 (larger capacity than original ZV-E10’s NP-FW50) |
Battery Life (CIPA) |
Not specified (likely ~230 shots based on R50) |
610 shots (significant improvement over ZV-E10’s 440 shots) |
Charging |
USB-C charging supported |
USB-C charging supported (faster charging with PD support) |
Storage |
Single SD slot (UHS-II) |
Single SD slot (UHS-II support, faster than ZV-E10’s UHS-I) |
In contrast, the Canon R50 V camera uses the regular LP-E17 battery, which offers approximately 230 shots and around 1 hour and 20 minutes of 4K 30p video recording.
Still Photography & Sensor Comparison
For still photography, the Canon R50 V camera uses a 24-megapixel FSI CMOS sensor and supports up to 12 FPS with an Electronic First Curtain Shutter (EFCS) and approximately 15 FPS with an electronic shutter.
Whereas in the Sony ZV-E10 Mark II camera, we have a 26MP BSI CMOS sensor with a maximum continuous shooting speed of 11 FPS, limited to an electronic shutter only. Technically, having an EFCS sensor-based camera is a better option if you’re planning to shoot sports or wildlife photography.
As we all know, Canon’s 100-400mm lens is also available at a budget-friendly price, making it a great pair for those into sports and wildlife photography, as well as content creation. However, at the same time, we must consider the advantage of a 26MP BSI CMOS sensor.
Feature |
Canon R50V |
Sony ZV-E10 Mark II |
Resolution |
24MP |
26MP |
Burst Shooting |
15 fps (electronic), 12 fps (electronic first curtain) |
11 fps (mechanical/electronic) |
RAW Support |
Yes |
Yes (Compressed/Uncompressed) |
Image Stabilization |
None (lens-based only) |
None (lens-based only) |
Best Camera for Still Shooters
If you are not into sports and wildlife photography and are looking for higher detail, better low-light performance, and enhanced dynamic range, then getting a 26MP sensor will be a better decision.
Final Conclusion: Which Camera is Best for You—Canon R50 V or Sony ZV-E10 Mark II?
Tailored for Videographers & Content Creators
Both of them are custom-tailored for videographers or content creators, and the best part is Canon is offering us a 10-bit video recording mode in a budget body. But at the same time, we do have some limitations, like having a 1.5x crop in 4K 60 FPS mode. Other than that, we also have limitations in the Canon RF mount, which actually limits us in selecting budget lenses.
Canon Lens Availability & Limitations
So even if you have purchased a budget body from Canon, then it will be a bit hard to find a usable prime lens within budget. Specifically, if you have purchased the Sony ZV-E10 Mark II camera by paying a bit higher price, you can use lenses like Viltrox Air series, which come at a very low price with usable high-grade optics.
Choosing Based on Personal Requirement
But again, it all depends upon your own personal requirement and usage. If you have already sorted out the best lenses that you are going to use for the Canon R50 V camera and having a crop in 4K 60 FPS mode doesn’t bother you, then without a doubt, the R50 V is much more usable for you.
Advantages of Sony ZV-E10 Mark II
Similarly, in the Sony ZV-E10 Mark II camera, we are getting uncropped 4K 60 FPS mode, we are getting active image stabilization as well as AI autofocus and ZV-E10’s in-body stabilization, plus some extra features and extra battery life in the Sony camera. The most important factor is the range of lenses available for the ZV-E10 Mark II.
Final Verdict
So for me, the best budget camera is the Canon R50 V, but if you consider lens availability, then you have to spend a lot more to get perfect Canon lenses for your camera.
Decision-Making Pros and Cons Table: Canon R50V vs Sony ZV-E10 Mark II
Sony ZV-E10 Mark II B&H | Amazon.com
Canon R50V Camera available at B&H Store | Adorama.com | amazon.com
Category |
Canon R50V |
Sony ZV-E10 Mark II |
Price |
Lower cost at $649 body-only or $849 with kit lens – excellent value for features.
Limited native RF-S lens options can increase long-term costs.
|
Reasonable at $999 body-only or $1,099 with kit lens for upgraded specs.
Significantly more expensive than R50V, less budget-friendly.
|
Video Resolution & Frame Rates |
4K 60p (1.5x crop) for smooth motion, great for action or dynamic vlogging.
Uncropped 4K 23.98p for cinematic wide shots.
1080p 120fps for slow motion.
1.5x crop in 4K 60p narrows field of view, requiring wider lenses.
|
4K 60p (1.1x crop) with less restrictive crop than R50V.
Uncropped 4K 30p/24p (oversampled from 5.6K) for detailed wide-angle shots.
1080p 120fps for slow motion.
None.
|
Battery Life |
LP-E17 battery, USB-C charging – decent for short shoots.
Likely ~60-90 mins 4K recording – shorter than Sony.
|
NP-FZ100 battery – ~130 mins 4K recording, significantly longer runtime.
USB-C charging with PD support.
|
Lens Ecosystem |
RF-S mount with RF compatibility – access to high-quality lenses.
Limited native APS-C lenses – fewer affordable options.
|
E-mount – vast range of APS-C and full-frame lenses, including third-party.
Kit lens (16-50mm) less versatile for video than Canon’s PZ lens.
|
Also see Canon R50V vs Sony ZV-E10
By admin, on March 26th, 2025

Let’s compare the specifications of the Canon R50V and Sony ZV-E10 cameras. We are also focusing on their video graphics features. Both specifications are up to date as of March 26, 2025. Enjoy the specs comparison between the two.
Specification Comparison Table: Canon R50V vs Sony ZV-E10
Category |
Canon R50V |
Sony ZV-E10 |
Release Date |
March 26, 2025 |
July 27, 2021 |
Sensor |
24MP APS-C CMOS |
24.2MP APS-C Exmor CMOS |
Processor |
DIGIC X |
BIONZ X |
Lens Mount |
Canon RF-S (compatible with RF lenses) |
Sony E-mount |
Native ISO Range |
ISO 100-32,000, extendable to 51,200 |
ISO 100-32,000 (expandable to 50-51,200) |
Video Specifications
Feature |
Canon R50V |
Sony ZV-E10 |
Max Video Resolution |
4K 60p (cropped), 4K 23.98p (assumed uncropped based on preview footage) |
4K 30p (1.23x crop), 4K 24p (uncropped, oversampled from 6K) |
Full HD Capabilities |
1080p up to 120p (implied from slow-motion options) |
1080p up to 120p |
Video Codecs |
H.265, H.264 (10-bit 4:2:2) |
XAVC S (H.264, 8-bit 4:2:0) |
Color Profiles |
C-Log3, custom picture profiles from Canon cinema series |
S-Log2, S-Log3, HLG |
Internal Recording |
10-bit internal recording with C log |
8-bit internal recording S Log |
Streaming |
4K 30p via USB-C (dedicated quick streaming button) |
720p via USB-C (requires software setup, no 4K streaming natively) |
Slow Motion |
1080 120p Supported with option to bake in or exclude audio (specific frame rates not detailed) |
1080p 120p (no audio baking options specified) |
Recording Limit |
Not specified / No limit |
No recording time limit |
Autofocus in Video |
Dual Pixel AF II (fast, reliable tracking, eye detection) |
Fast Hybrid AF with Real-time Eye AF, Tracking, Product Showcase mode |
Stabilization |
No IBIS, relies on lens IS (e.g., 14-30mm PZ) or digital stabilization (crops further) |
No IBIS, Active SteadyShot (digital, ~1.44x crop in Active mode), lens OSS support |
Cinematic Features |
“Peter McKinnon mode” (baked-in cinematic bars) |
No SCinetone mode |
Audio Specifications
Feature |
Canon R50V |
Sony ZV-E10 |
Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Onboard Microphone |
Standard stereo mic (not emphasized as vlogging-specific) |
Directional 3-capsule mic with windscreen (optimized for vlogging) |
Digital Audio Support |
Digital hot shoe (24-bit, 4-channel audio with compatible Canon mics) |
Multi-interface shoe (digital audio with compatible Sony mics) |
Body Design
Feature |
Canon R50V |
Sony ZV-E10 |
Dimensions |
116 x 86 x 69 mm |
115 x 64 x 45 mm |
Weight |
~375g with battery |
343g (with battery and SD card) |
Viewfinder |
None (EVF omitted to reduce cost) |
None |
Screen |
3-inch vari-angle LCD 1.04 Mdot |
3-inch fully articulated LCD (921k dots) |
Tally Light |
Yes (front-facing, with red box on screen) |
Yes (red tally light on front) |
Vertical Video Support |
Quarter-20 mount on side for vertical tripod/gimbal use |
No dedicated vertical mount |
Weather Sealing |
None |
None |
Ergonomics |
Compact, lightweight, minimal grip |
Compact, lightweight, minimal grip |
Ports and Connectivity
Feature |
Canon R50V |
Sony ZV-E10 |
USB |
USB-C (supports streaming and charging) |
USB-C (supports streaming and charging) |
HDMI |
Micro HDMI |
Micro HDMI |
Microphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Headphone Port |
Yes (3.5mm) |
Yes (3.5mm) |
Remote Port |
Yes (2.5mm) |
No |
Hot Shoe |
Digital hot shoe (24-bit, 4-channel audio support) |
Multi-interface shoe (digital audio support) |
Wireless |
Wi-Fi 5 |
Wi-Fi (2.4 GHz), Bluetooth 4.1 |
Battery and Storage
Feature |
Canon R50V |
Sony ZV-E10 |
Battery Type |
LP-E17 |
NP-FW50 |
Battery Life (CIPA) |
270 shots per charge |
440 shots |
Charging |
USB-C charging supported |
USB-C charging supported |
Storage |
Single SD slot UHS-II |
Single SD slot UHS-I |
Still Photography
Feature |
Canon R50V |
Sony ZV-E10 |
Resolution |
24MP |
24.2MP |
Burst Shooting |
15 fps (electronic), 12 fps (electronic first curtain) |
11 fps (mechanical/electronic) |
RAW Support |
Yes |
Yes |
Image Stabilization |
None (lens-based only) |
None (lens-based only) |
Price and Kit Options
Feature |
Canon R50V |
Sony ZV-E10 |
Body Only |
$649 |
$699 |
Kit Option |
$849 with RF-S 14-30mm f/4-6.3 PZ IS STM (22-48mm equiv.) |
$799 with E PZ 16-50mm f/3.5-5.6 OSS (24-75mm equiv.) |
Lens Ecosystem |
RF-S (limited native APS-C lenses, full RF compatibility) |
E-mount (extensive native APS-C and full-frame options, third-party support) |
Additional Features
Feature |
Canon R50V |
Sony ZV-E10 |
Vlogging Features |
Tally light, vertical mount, quick streaming button, cinematic bars, Canon’s own product showcase mode, and many new features |
Product Showcase mode, Background Defocus button, directional mic |
Customizability |
Custom picture profiles from the cinema series |
SCinetone Missing |
Firmware Updates |
Not applicable yet (preview model) |
Regular updates (e.g., improved streaming with firmware v2.00) |
Conclusion: Canon R50V vs Sony ZV-E10
The Canon R50 V camera features updated video recording capability, including 10-bit 4:2:2 internal recording and 4K video recording up to 60 frames per second (1.5x crop). However, the Sony ZV-E10 remains limited to 8-bit, and 60 FPS 4K mode is unavailable. Even in the live streaming option, the Canon R50 V can live stream up to 4K 60 FPS. Additionally, in the body, you get a vertical mount to record vertical videos for YouTube Shorts, Instagram, or other media networks.
The only reason Sony excels now is the vast lens found in the E-mount. We have a range of options, and nowadays, even Viltrox Air series lenses are available at very affordable prices and can be easily purchased for the Sony ZV-E10 camera. On the other side, in Canon R50 V, we have a very limited number of lenses, so you have to choose wisely—either go with a higher-priced Sony body like ZV-E102 and later buy affordable lenses or get the R50 V and pay for pricier lenses.
Also see – Canon R50V vs Sony ZV-E10 Mark II | Canon V1 vs Sony ZV-E10
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By admin, on March 26th, 2025

Canon finally announced the Canon R50V camera. The camera is composed of almost the same core specifications that we have seen in the Canon R50 camera, but it is more focused on content creators. It is a direct competitor to the Sony ZV-E10 camera, so it carries all the possible goodness that we have already seen in the Sony ZV-E10 as well as the Canon R50 camera.

The camera features a 24-megapixel CMOS Dual Pixel autofocus sensor with a DIGIC X image processor. The camera is able to record 4K 30 FPS uncropped videos and Full HD videos up to 120 frames per second. You can also record 4K videos up to 60 frames per second with a 1.5x crop. 10-bit recording is available but limited to HDR PQ mode. A headphone port is also available in this camera to monitor your audio recording, along with an upgraded microphone for better audio capture.

The camera will be priced at $649 for the body only, or $849 for the kit with the RF-S15-30mm, and will start shipping in April 2025.
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Canon R50V official press release
For All Creators: Canon’s New PowerShot V1 and EOS R50 V Expand EOS/PowerShot V Series
MELVILLE, N.Y., – March 26, 2025 — Canon U.S.A., Inc., a leader in digital imaging solutions, answers the needs of video creators with the new PowerShot V1 and EOS R50 V. Both cameras are part of Canon’s growing EOS/PowerShot V Series which seeks to help all creators, including cinema, livestreaming, vlogging, and VR, heighten their visual story telling.
Canon Reinvigorates Point-and-Shoot
If you’re a creator, you want the ability to pursue your own visual expression without compromising quality. Something lightweight and compact that can be used anytime or anywhere to lift your vision forward—a camera that works with you. Designed with a smart and modern concept, the PowerShot V1 is a reliable partner boasting key features including:
- A newly designed grip created for both normal and selfie shooting.
- Ultra wide-angle zoom lens—approximately 17-52mm for movie recording and 16-50mm/F2.8-4.5 for still imagery.
- New 1.4 type sensor with approximately 22.3 megapixels for stills.
- Dual Pixel CMOS AF II for PowerShot for improved AF speed and subject detection tracking performance when compared to the PowerShot G7 X Mark III.
- A cooling fan inside the body to help enable longer video recording.
- A still image/movie shooting switch for quick and easy transition—the first in a PowerShot camera.
- Continuous still shooting at up to approximately 30 frames per second, a mechanical shutter with a maximum speed of 1/2000 seconds, and an electronic shutter with a maximum shutter speed of 1/16,000 seconds.
The Canon PowerShot V1 is also designed with workflow top of mind. Creators can leverage high quality video calls and livestream on a PC with a single USB cable, and the camera works intelligently with smartphones—both wired and wirelessly—via the Canon Camera Connect app.
Cinema Quality in the Palm of Your Hand
A movie-focused, high-performance camera that can fit in the palm of your hand? Yes—it does exist, with the EOS R50 V. The legacy of Cinema EOS technologies is splashed throughout, making EOS R50 V one for all creators who have high artistic ambitions to take to the next level. Key features include:
- Video-focused design elements such as a livestream button, movie recording button in the front of the camera, and a tripod screw hole for vertical shooting.
- Dual Pixel CMOS AF II for quiet and smooth AF.
- Ability to shoot 4K crop at 60fps and YCC 422 10bit.
- Compatibility with the newly launched RF-S14-30mm F4-6.3 IS STM PZ, the first RF-S lens with built-in power zoom.
- Four different methods of livestreaming: UVC/UAC, HDMI, Camera Connect, and Live Switcher Mobile multi-camera.
- APS-C sensor and DIGIC X image processor for rich bokeh.
- Image creation consistent with Cinema EOS with five presets for editing, such as Canon Log 3.
Creators are not one-size-fits-all, and EOS R50 V was built through creator feedback to make content creation easier. With modern design elements, customization options, and a new lens bundled together, the EOS R50 V is destined to be in your gear bag.
Pricing and Availability
The Canon PowerShot V1 is scheduled to be available in April 2025 for an estimated retail price of $899.99.* The Canon EOS R50 V is scheduled to be available in April 2025 for an estimated retail price of $649.99* for the body only and $849.99* with the RF-S14-30mm F4-6.3 IS STM PZ. For additional information, please visit usa.canon.com.
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